Taking Stock – A Look Back at 2011
Happy New Year! It’s that time to take stock of the past year, and in looking back, it was fantastic! From the Eastern Sierras, to India and France, and kayaking, hiking and canoing in the tri-state area, we had a really blast. I had the pleasure of being featured in Serendipity Magazine and getting a solo show at the Southport Galleries. I met several new photographers including Darren White (www.darrenwhitephotography.com) and Arnab Banerjee (www.arnabbanerjee.com). But the year wouldn’t have as fun or productive without the companionship and inspiration from Shamik (www.shamikphotography.com).
Here are my ten favorite pictures of the year (in order by date):
1. Clear Night in the Sierras. This was taken at Mobius Arch in the Alabama Hills on a clear night with a full moon. We light painted the arch with our flashlights. The full moon provided the light for the snowy mountains.
2. One Blind Eye. This man was selling water near the temple in central Udaipur, India.
3. Waiting. This is one from the India in Motion series.
4. Ricochet. Taken on the Pacific Coast at Cape Kiwanda. I love the tension in this shot as the wave ricochets off the cliff wall and starts its way back out to sea.
5. Majestic Maine was taken at Portland Head Lighthouse. We were supposed to be canoeing the Delaware River this weekend, but our plans were cancelled due to unsafe river conditions after Hurricane Irene. I’m so glad we decided to head to Maine instead.
6. Rockport Abstract. This was taken the very next morning in Rockport, Maine. A pretty heavy fog thwarted our landscape photography plans. But give me a harbor and I’m a happy camper.
7. The Overlook — taken at Dead Horse Point State Park in Utah. This was the only day we had any clouds.
8. Lone Kayaker. This is from the Thimble Islands, just off the Connecticut coast. We lucked out on the weather this morning and there was just enough fog and clouds to make Long Island Sound feel like it was the middle of the ocean.
9. Ominous. This was another morning of insane light. Taken at Montauk Point, NY.
10. Earth and Sky. A cold, clear, moonless night at Delicate Arch let us try photographing the Milky Way.
Here’s to a healthy and prosperous 2012! Let me know which is your favorite.
Why Aren’t My Images Sharp?
This is probably the most common question we hear from beginner photographers, and there are many possible explanations. Here’s the checklist you should run though to make sure user error isn’t the culprit.
1. Is Your Shutter Speed Sufficient? A very common mistake is to get so caught up in the moment of shooting that you forget to check your shutter speed. There’s a rule of thumb to keep in mind when you’re shooting pictures hand-held. Your shutter speed should be 1/focal length of your lens. This means that if you’re shooting at 50mm, your shutter speed should be at least 1/60th or faster to get sharp pictures. If you’re shooting at 200mm, you should be shooting at 1/250th or faster.
2. Are You Using a Tripod? To get really sharp images, using a tripod is a must. I agree that not all situations warrant a tripod. For example, street photography is difficult with a tripod. Often, street photographers are trying to be unseen and need to react quickly to situations and scenes that unfold. But in landscape photography, the scene isn’t changing rapidly and a tripod gives you the proper support to shoot sharp images.
3. Do You Have Image Stabilization (Canon)/Vibration Reduction (Nikon) Turned Off? This is the number one mistake made when shooting on a tripod, and I have fallen victim to this one myself. Sophisticated lenses have special technology called IS (Canon) and VR (Nikon) which actually works to compensate for the small movements you make when hand-holding your camera to take a picture. When you put your camera on a tripod and leave IS/VR in the ON position, the lens “thinks” you’re hand-holding and makes the necessary micro-adjustments to compensate. As a result, the images come out slightly blurry. It’s imperative that you turn IS/VR to OFF as soon as you put your camera on a tripod.

Unsharp image with IS turned ON
5. Are You Using a Cable Release or Your Timer Function? Another consideration is that when you actually push the shutter button, you’re probably moving the camera a little bit, even on a sturdy tripod. One way to eliminate this is to use a cable release button so you’re not actually touching your camera. The cable release button is useful if you’re trying to take a picture at an exact moment. I often just use my 2-second timer function when I’m taking landscapes. The sun isn’t setting that fast that I need to snap the picture at a precise moment.
Running through this check list generally resolves any issues with complaints about image sharpness. If using these techniques doesn’t resolve sharpness issues, you’ll need to consider whether your tripod is sturdy enough, whether you’re using your tripod correctly, or whether you genuinely have an issue with the lens on your camera.
Play and the Creative Process
I’ve been thinking about the creative process recently. How do you get out of a rut? How do you find inspiration? If you’re not in a rut, how do you find the next unique image. I think play and experimentation are really important tools.
When I’m out in the field and unable to deliver on my vision I may try panning or zooming. This sometimes reveals some colors, shapes, or textures that are interesting that I couldn’t see with my landscape-reality-goggles on. It can help me find new angles on a scene, and it can help me find something new to highlight in the image.
Another way I get out of a rut is to force myself to use a different lens. If I’m shooting wide angles, I put on the telephoto for awhile. Or, maybe I grab the macro. Sometimes I head out for the morning and force myself, regardless of the location, to use at least four different lenses. It’s not about getting portfolio-worthy shots. It’s about getting outside my comfort zone, experimenting, re-learning something I once knew.
Here’s an image I took in my dining room a few weeks ago. I cut a peony and set it up in a vase with a nice white background for a high key image. I was working with my Speedlight 580EX which can be controlled remotely with the 7D. This was an experiment in off-camera flash and a lesson in managing the flash from the camera using TTL. As I began to try new lighing setups I also turned it into an experiment with my macro lens with extension tubes. I learned a lot about my equipment. And, I liked how I was seeing new things in the peony. With the extension tubes, I stopped shooting a flower and started to look for shapes and light and composition.
NOTE: Before I get a lot of comments about the color. I also did some post-processing. The peony was white or light pink. With the flash, it was basically a black and white image. By chaning the white balance and applying split toning in Lightroom, I was able to create a soothing balance of colors.
The Valensole Plain
New Book
Just a quick post to let everyone know that I’m working on a book with Arnab Banerjee. I’m very excited about the opportunity, and it should be out in time for the holidays. Don’t you need to stock up on stocking stuffers? Needless to say, my weekends are suddenly booked up for the summer and into the fall. More on this, and the adventures that will go into this in future posts.
Inspiration
People are always asking where I find my inspiration. It comes from a lot of different places. Life.com just made things easier by posting their 2011 Photo Blog Awards. I’m a reader of several of them, and I’m looking foward to looking into the others. Inspriration comes from a wide variety of places. Spread your wings, explore something new. Enjoy!
















